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Class Description:

In this 6-week class, students will be introduced to the techniques of tapestry weaving while playing with texture and material. They will learn the basic elements of weaving (the loom, warp, and weft) and how to set up a frame loom for hand weaving. Instruction will cover the fundamental weaving patterns and tapestry design techniques, such as plain weave, color block design, and methods for creating texture in the weave. The course will engage with the many examples of woven works from the Denver Art Museum’s Indigenous Arts of North America and Textile and Fashion Collections as well as the work of contemporary weaving artists. Through this class, students will gain a deeper understanding of the textiles that we engage with in our everyday clothing, homes, and lives and become familiar with one of our oldest technologies: weaving.

What to Expect:

The first half of the class will focus on loom set-up, weave basics, and skill building. This class will offer a mix of hands-on making, art viewing, discussion, and designing. Students will view images of the work of contemporary tapestry weavers and visit DAM galleries to look at works from the museum’s collection as inspiration for designing a final tapestry project. As students develop their skills, they will be encouraged to experiment with the materials they use in their weavings, using non-traditional wefts and found materials. Students will leave the class with one sample weaving, one final piece, and a tapestry loom for future weaving. Students do not need any prior knowledge for this course.

Educator Bio:

Elizabeth Morisette is a graduate of NCSU College of Design and received an MFA from Maryland Institute College of Art. She has been exhibiting her weavings and sculptures throughout the country for 30 years. Her work has been featured in American Craft Magazine, Hyperallergic, The Denver Post, and the New York Times.

As a Fiber Artist living in Fort Collins, Colorado, her work focuses on using the leftovers from our society and making them into art using classical Fiber techniques such as basket making and weaving. These works are often surrounding a theme having to do with environmentalism and social constructs. Connecting art and community is an important aspect of Morisette’s career. She has worked as an Artist in Residence teaching classes for the Maryland State Arts Council, The Jewish Community Center of Greater Baltimore, Elderhaus Adult Care, Colorado State University, Fort Lewis College, New Belgium Brewery, The Museum of Art Fort Collins and The Denver Art Museum.

https://elmorisette.com/

Refund and Class Cancellation Policy:

The Denver Art Museum adheres to a no-refund, no-exchange policy. If you are unable to attend, please consider your payment a tax-deductible donation.

If a class or workshop is cancelled by the Denver Art Museum due to inclement weather or teacher illness, a make-up day will be scheduled on a FRIDAY or SATURDAY as the educator’s schedule allows.

Accessibility Statement:

To request large print materials, a sign language interpreter, CART or any other accessibility service, please email Access@DenverArtMuseum.org at least ten (10) business days in advance of the program. We will make every effort to provide accommodation for requests made outside of that window of time.

Please see further information about accessibility, parking, and directions to the DAM here: https://www.denverartmuseum.org/en/accessibility