Select An Item

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

This one-day workshop will explore the Indigenous design practice of parfleche. The name parfleche was initially used by French fur traders and derives from the French language parer meaning "to parry" or "to defend", and flèche meaning "arrow". Parfleche was used to describe tough rawhide shields carried by Plains Indian warriors but was later used primarily for decorated rawhide containers. Plains Indian tribes often had an abundant source of hides in the buffalo they hunted, but, as they were nomadic, they had little opportunity to tan the skins. Parfleche, or rawhide, was prepared by cleaning and dehairing the skin and then by stretching it and allowing it to dry in the sun. This process created a stiff but durable leather that was used for many items, including bags, boxes, envelopes, and war shields. Designs historically consisted of geometric shapes and symbols in primary colors. Today, many contemporary Plains Indian artists evolved the idea of parfleche by making earrings, bracelets, wallets, etc. Students will learn about parfleche techniques and create their own keychain or earrings using their newfound knowledge.

Photographer and educator Zora J. Murff creates pictures of people and the urban and natural environments that surround them. For some projects, he also incorporates appropriated imagery to reflect on his own experiences and to examine social and racial injustices. His work considers minimized histories, experiences of being a Black person in America, and the ways visual culture shapes and is shaped by us.

Zora J. Murff’s monograph True Colors (or, Affirmations in a Crisis) was published by Aperture in 2022 and he received a prestigious Infinity Award from the International Center for Photography in 2023. Currently, he is Assistant Professor of Photography at University of Oregon.

This program is presented in connection with the photography exhibition What We’ve Been Up To: People , February 8 – September 29, 2026.

Join Jill D’Alessandro, Director and Curator of the Avenir Institute of Textile Arts and Fashion, for a behind-the-scenes look at Conversation Pieces: Stories from the Fashion Archives.  Showcasing nearly 70 designs, the exhibition explores DAM’s permanent fashion collection, pairing the historic with the avant-garde to create surprising juxtapositions.  In this talk, D’Alessandro will share a few of the stories behind these garments and how they entered the museum’s holdings.

Give to the Denver Art Museum's Annual Fund

Your 100% tax-deductible contribution supports inspiring art connections, powerful artist collaborations, community-minded programming at the Denver Art Museum. During these unprecedented times, your donation helps the museum reimagine how we connect in person and online through a series of new opportunities for visitors of all ages. Thank you for your support of the Denver Art Museum's annual fund.

Celebrate Denver’s Month of Printmaking (Mo’Print) with a deep dive into printmaking processes and histories. Pre-social media, printmaking revolutionized communication, access to images, and creative expression. In this session, learn about printmaking techniques (engraving, woodcut, lithography, screenprint, and more), and consider how prints have helped us to rally for a cause, advertise, document, and share beauty.

This is session three of How Do We Art? Materials, Methods, and the Stories They Tell. Purchase the full three session course here.

Didier William uses vivid colors and bold patterns to evoke memories of growing up in Miami as an immigrant from Port-au-Prince, Haiti. Inspired by Haitian history, language, and mythology, and personal experience, William unpacks the legacies of colonialism, social resistance, and the struggle for political agency. Incorporating traditions from painting, collage, wood carving, and printmaking, he materially visualizes the intersections of identity and culture.

Powerful, faceless figures appear in William’s otherworldly, electrified landscapes. Their bodies, covered with carved eyes conscript the viewer into a flamboyant narrative made deliberately queer by refusing explicit sex and gender signifiers. “It’s a way for the figures in my paintings to return the curios gaze,” comments Williams. “Not just with their eyes, but with every square inch of their skin.”

Rendering his figures with larger-than-life anatomies, William transforms them into supernatural beings or what he calls “Titans.” His humanoid forms touch, wrestle, and embrace as they seek out tenderness, care, and belonging. They often appear to float or at least try to overcome the forces of gravity as they aim for higher realms.

I am unable to attend Luncheon by Design but would like to make a contribution in support of the event.

Visit The Kirkland during special Members-only Mornings on Saturday, March 7 and Saturday, March 14 from 9-10 am.

We'll open The Kirkland early for you to visit two new exhibitions on view: Space is the Place: Art and Design in the Atomic Age and 'Round the Clock: 24 Hours of Colorado in Prints.

Enjoy additional savings in the Shop at The Kirkland during these special member hours.

With Pissarro's Impressionism as a springboard, the Perspectives on Pissarro program series offers a fresh take on the exhibition, the artist, and his world.

Join curators, art historians, and a horticulturalist as they share insights into Pissarro's work and the natural landscapes that inspired him. Register for individual sessions or enjoy a discount for the full series.

Please note that this link is for purchasing tickets to livestream recordings of the lecture series so that you can watch from home. To purchase in-person tickets, please click here.

With Pissarro's Impressionism as a springboard, the Perspectives on Pissarro program series offers a fresh take on the exhibition, the artist, and his world.

Join curators, art historians, and a horticulturalist as they share insights into Pissarro's work and the natural landscapes that inspired him. Register for individual sessions or enjoy a discount for the full series.

Donations to this fund are invested by the DAM foundation with the intention to grow the fund in value over time. This fund provides an annual distribution based on the Foundation's policy.  Distributed funds are used to acquire new artwork for the DAM.

The Museum regularly reconciles expenditures made from distributed funds to ensure that they are allocated as intended.

Corporate membership packages allow you to curate the benefits your company receives at every level of support. From access and networking, to complimentary event space and VIP invitations, your company can have it all or select only what means the most to employees, clients, and stakeholders. To learn more about corporate membership options and benefits, please contact us at 

CorporatePartnerships@denverartmuseum.org.

Every Corporate Membership Includes:

• Corporate and Executive membership cards for free general admission
• Corporate special exhibition ticket price available to all employees
• 10% discount in the museum shop
• Recognition in the museum's Annual Report
• Access to virtual programming and art making activities
• Bimonthly member magazine On & Off the Wall and Beyond the Walls patron newsletter
• News and updates through exclusive member communications

General admission tickets grant entry to the Denver Art Museum's campus, including the Hamilton and Martin Buildings, Sie Welcome Center, and The Kirkland.

Museum admission is valid for the entire day.

The basic benefits including unlimited free general admission for one for an entire year, plus two free general admission guest passes

Corporate membership packages allow you to curate the benefits your company receives at every level of support. From access and networking, to complimentary event space and VIP invitations, your company can have it all or select only what means the most to employees, clients, and stakeholders. To learn more about corporate membership options and benefits, please contact us at 

CorporatePartnerships@denverartmuseum.org.

Every Corporate Membership Includes:

• Corporate and Executive membership cards for free general admission
• Corporate special exhibition ticket price available to all employees
• 10% discount in the museum shop
• Recognition in the museum's Annual Report
• Access to virtual programming and art making activities
• Bimonthly member magazine On & Off the Wall and Beyond the Walls patron newsletter
• News and updates through exclusive member communications

The basic benefits including unlimited free general admission for two for an entire year, plus two free general admission guest passes